The issues with churches like Hillsong and many others are not new and help remind us that people are subject to sin and failure whenever they are involved in any endeavor. When this happens within a church, it seems doubly hurtful, but it happens.
We All Fall Down
Reflecting on my personal experience, my wife and I exchanged vows in 1968 in her Presbyterian Church. The senior minister, a figure of respect and admiration within the community, officiated our wedding. However, a month or so later, he shocked us all by eloping with the choir director, leaving his family and ministry behind. This incident was a stark reminder that even those in the highest positions are not immune to fallibility. At least he had the courtesy to sign our marriage certificate before his abrupt departure.
I understand that ministers, song leaders, lay leaders, and worshipers share the same human frailties and fallibilities. This shared humanity should remind us that the shortcomings of others, while often used to justify resistance to change, should not be a barrier to progress. Throughout history, opponents of change within the church have used this tactic to block new concepts. However, there are times to oppose change and times to use change to revitalize any endeavor. We must tread lightly in this area, always mindful of our shared humanity.
Admittedly, the leaders advocating for change in the church through Contemporary Christian Music (CCM) have had some notable ethical failures in recent years. It is important to remember that falling short of Biblical and church standards of behavior is not unique to this area. Right now, the missteps of a few are being used to try, unsuccessfully, to stifle the progress of many. It is a complex situation, but one that we can navigate with open hearts and minds.
Sticking My Toe in the Water
After writing the second installment of this series, I felt a strong urge to understand all the controversy surrounding CCM. I realized that to do so, I needed to immerse myself in it. I have read countless articles but knew nothing could substitute for experiencing the music firsthand.
I did a little experiment and picked two popular vocalists from the Hillsong United and Elevation music groups. I then found ten songs from two vocalists and two instrumentals and made a playlist for my phone. To get a little more variety I sprinkled in songs from five more artists that I had seen criticism of on YouTube. I decided that whenever I rode somewhere in the coming week, I would only play this playlist. Taya Smith and Brooke Ligertwood are two of the most popular and recognizable in all venues. Hillsong United instrumentals have a Windham Hill similarity to them and let you hear the quality of the underlying music without vocals.
Here are the videos of the songs I added to the playlist.
Taya Smith (Originally with Hillsong, now a solo artist and given name is Taya Gaukroger)
- Broken Vessels/Amazing Grace – Broken Vessels/Amazing Grace – (Live Hillsong Worship)
- Clean – CLEAN (Acoustic – Hillsong UNITED)
- Grace to Grace – To Grace – (Live Australian Conference)
- Not Today – Not Today – (Live from Madison Square Garden)
- Oceans – Oceans (Where Feet May Fail) – (Live at Team Night 2013)
- Oceans – Oceans (Where Feet May Fail) – [Live in Houston]
- Take All of Me – Take All of Me – (Live in Houston 2016)
- Touch the Sky – Touch the Sky – (Live Hillsong Worship)
- What a Beautiful Name – What A Beautiful Name – (Live from Virada Orlando)
- Whole Heart (Hold Me Now) – Whole Heart (Hold Me Now)
Brooke Fraser Ligertwood (Sang with Hillsong and Elevation, now a solo artist but still associated with Hillsong and Elevation at events)
- Ancient Gates – Ancient Gates – (Live From Passion 2022)
- A Thousand Hallelujahs – A Thousand Hallelujahs – (Live From Passion 2022)
- Bless God. Every Chance I Get – Bless God – (Live from Passion 2024)
- Breathe We All Fall Down – Breathe / We Fall Down – (Live from Worship Together 2022)
- Calvary’s Enough – Calvary’s Enough – (Live From Passion 2024)
- Honey in the Rock – Honey In The Rock – (Live From Passion 2022)
- I will Exhault You – I Will Exalt You – (Live Hillsong Worship)
- Jesus Paid it All – Jesus Paid It All – (live Gateway Worship)
- What a Beautiful Name – What a Beautiful Name – (LIVE at Passion 2024)
- Who You Say I Am – Who You Say I Am – (Live Hillsong Worship)
Other Artists (A few of the criticized artists with higher rated songs)
- Jon Reddick – I Believe It (The Life Of Jesus)
- Lauren Daidle – How Great Thou Art
- Jenn Johnson = Holy Forever
- Big Daddy Weave – Heaven Changes Everything
- Casting Crowns – Scars in Heaven
Hillsong Instrumentals
- 90 Minutes of Worship Piano Hillsong Instrumentals – 90 minutes of Worship Piano
- 100 Minutes of Worship Piano 100 minutes of Worship Piano – Hillsong Instrumentals
Not all of these are at the top of the charts songs, but some are for sure. Oceans by Taya Smith won several Grammys, and her rendition has been viewed in various forms on YouTube over 500 million times. My guess is that with all forms of communication, close to 1 billion people have listened to just this one song since its release ten years ago.
Brooke Fraser Ligertwood is also a successful Grammy-winning artist and is still associated with Hillsong United in Australia. She also appears in several Elevation and Passion Conference videos. I believe her work is a notch above the others in quality.
In this article, I linked to these videos on YouTube because they show audience size and popularity. I will discuss that more in the next article.
My Week of Contemporary Christian Music
This past week was interesting as I set aside my normal music, audiobooks, news, and talk radio for my CCM playlist. At the end of the week, nothing bad, but some good things happened due to this shift.
First, setting aside all the financial, political, and other material I usually sift through each week was a welcomed break. Knowing I would also listen to music without worldly negative influences was mentally relieving. Just getting away from the political campaigns alone was worth the time.
Second, I found the music to be professionally done and as good as, if not better than, most popular music.
Third, I ended the week believing that there are some young people with Christian values left. They seem to operate out of sight (at least to me) and are at least following Christianity as they can understand it at a young age. Certainly, if you look at the audiences in the videos, there are older worshipers, but many may be new to the faith.
Responding to the Critics
In the second article, I listed three frequent criticisms of contemporary worship, and, by extension, musical artists and their organizations. I can only respond to them from the perspective of someone who is still a neophyte in this area.
Contemporary Worship Uses Commercial Music
This point would be impossible to argue with since, by definition, CCM is distinguished as something new. The music is more commercial than the worship music we all grew up with. But the music we grew up with was the contemporary music of its day and replaced something viewed as traditional. We have already noted that before Charles Wesley came on the scene in the Anglican Church, there were no hymns as we know them.
Today’s Contemporary Christian Music is more commercial and aligned with secular music in style, but for a younger audience, it is also more relatable. Today’s CCM will someday be the music of the old, and something else will come forward to replace it. The Contemporary Christian Music of today in no way rivals the theology within Charles Wesley’s hymns, but what does? The audience is not leaving the service and immersing themselves in Clarke’s Commentary or Biblical Archaeology Review. In the way someone who is compelled to preach on a street corner is taking the gospel to others, CCM is traveling that same road.
Contemporary Worship Has Given Us Christian Superstars
There are definitely CCM artists within this genre of music who are “superstars.” What taints them, if at all, is that the origin of their recognition comes from churches with some “baggage.” Hillsong Church has some serious problems that have hopefully been addressed. They set out to make music one of the core strengths within the church, and they succeeded. Their success led to the abuse of trust with church members, but they are not alone in that failure.
Other churches with large followings preach “Word of Faith” philosophies, which are problematic for me. However, I believe those ministries are separate from contemporary music because CCM has no denominational boundaries. People of any faith or denomination can enjoy it without hearing a “prosperity-based” sermon. Our local Methodist Church has a contemporary service, where I am sure a few of the HIllsong songs made it into the service. For sure, our local pastor is not a Word of Faith minister, and I am unaware of any congregates who were injured by singing along to one of the songs originating from Hillsong or Elevation.
My wife has made an excellent point concerning artists who become or want to become superstars. Often, fame leads to compromise when an artist begins to fade in popularity. At this point, some begin to compromise their principles to remain popular. With CCM artists, this can be particularly problematic because you are dealing with an audience of vulnerable children and adults. When faith is broken in faith-based organizations, bad things happen to many people. However, I consider this cautionary, directed toward individual failings, different from CCM as a genre. For this reason, I have added a fifth installment to this discussion concerning the success and wealth of these popular artists.
Contemporary Worship is Ruining Preaching
I cannot understand this line of reasoning because preaching can be largely based on the skill of the person delivering the message and the congregation’s wishes. If this means trivializing the faith, I can only say that I did not find it in my brief exploration of CCM. I did not listen to accompanying sermons when the music was used in formal worship services only because that was not my intent. I also focused on music with wide audience appeal for reasons I will discuss in my next article.
Because of its use in many denominations, the music must stand alone for either criticism or admiration. In my time, I have heard great preachers and really awful preachers. Music was always an accompaniment, not the core message. Music may get people into the church’s doors, but if the message is wrong, they will not listen and will not return.
If we were all alike in our thinking and interpretation of religion, there would only be one denomination. In that world, there would only be an Ancient Greek, Latin, or King James Version of the Bible and no debate as to interpretation or meaning. That limitation in worship faded centuries ago.
My Conclusions
After my week of immersion in CCM, I have concluded that when one experiences it outside of a worship service, there is nothing to fear. When CCM is used as a lure to push a different agenda, that can become problematic, but it would need to be considered on a case-by-case basis. The Word of Faith doctrine does not fit my belief system, and I would push back on many of its concepts.
The ministers most often criticized are clearly associated with the Word of Faith Movement, but criticism of that movement should also stand alone. “Ministers” most often mentioned in this category of preaching would include Juanita Bynum, Kenneth Copeland, Jan and Paul Couch, Creflo Dollar, Marilyn Hickey, Benny Hinn, Rodney Howard-Brown, T.D. Jakes, Robert Tilton, Randy White, Bishop Eddie Long, and Joel Osteen. But, the list is fluid and seems to grow or shrink from a writer’s viewpoint in articles. Some lists are as broad as any and all televangelists, and others are much narrower.
Although their reach is worldwide because of modern broadcast media, they are headquartered primarily in the “Bible Belt.” From my perspective, the issues are within the Word of Faith doctrine, not CCM.
What Is Up Next
In my next article on CCM, I want to examine its origins, practical side, and advocates through the Passion Conference Movement and other sources. I learned a lot and will explain next week. As I mentioned above, I have now added a fifth article to deal with the superstar status of some of the CCM artists.
This series has required considerable reading and study, and the list of references grew so long that adding them to the end of each article proved distracting. I will link to them at the bottom of each article so that they stay handy.
You Can View All Articles in This Series with This Link

